Pixelculture.tv

Film is set in a Bajaj Research & Development facility. As the night falls and the humans leave, few bikes get up and look around for some action. Their twinspark dtsi hearts pump up the power & a high-voltage game of basketball follows. As a security guard arrives to check on the commotion, the bikes just about manage to escape without getting caught. Starring Bajaj Pulsar 220, XCD 135 & Discover in lead roles. Created completely in 3D (only the guard is real), work on this Leo Burnett India film begun over an year ago. The motion data was generated by professional basketball players & acrobats at pinewood studios, UK. Top creative talent from across the world were brought together to create this life-like reality. Directed by celebrated hollywood filmmaker Tarsem (The Cell, The Fall) and visual effects created by Glassworks London, this film sets new production standards for Indian commercials. Production credits: Agency: Leo Burnett India Executive Creative Director & Writer: KB Vinod Director: Tarsem Production: Stratum India & Radical Media UK Producers: Avinash Shankar & Tommy Turtle Production Manager: Ray Leakey Post: Glassworks London VFX Producer: Phil Linturn VFX Supervisor: Alastair Hearsum Concept Art: Marc Gabbana Editor: Ben Stephens Music: Ram Sampath

Man this is my first time doing this… still trying to figure out HOW all of this exactly works, but… anyhoo! Have a little CG progress video of an old drawing right here. This is merely done as a test more than anything, really, s-so ffff I hope you have fun anyway sdfjg *sends love* Credit for the lovely textures goes to a very talented person on DA. Do visit his account if you’re interested! squarefrog-stock.deviantart.com Personal Okami Fanart Blog: community.livejournal.com Series: Okami / 大神Characters: Issun and Miya Program: opencanvas ver. 4 BGM: “Collide” by Howie Day

www.ozgurler.net

1st prize at the bigbang festival dream & dance music by neverland made in after effects and vue year released : 2005

A composited visual effects piece I created as my final individual project for my Diploma in Video Post-Production (Advanced). Features three young people playfully running through a forest, creating their own imaginary world as they run. Involved compositing, rotoscoping, hand tracking and colour grading. 3 weeks pre-production, 2 days production and 6 weeks post-production. Shot on Canon XH-A1.

The visual effects team at CORE digital pictures uses 21st century technology to bring 16th century England to life on the Showtime original series The Tudors.

Animation on a TV Movie i did at Buzz in 2007. www.us.imdb.com www.ericfortin.ca tags: Buzz,3D,CG,digital art, computer graphics,bees,killer bees, african bees, black swarm,animation,swarm,infestation

Conservation and renovation of ever-changing traditional objects, buildings, and culture are important issues. Thus studies on digital archives of those subjects are widely conducted nowadays in Japanese traditional performing arts and especially abuki. This form of art has been contriving and changing its style according to the shifts in stage sets, lighting, and stage form. Some parts of Kabuki production have been through significant changes, along with the long perpetuated parts. Kabuki is still developing day by day, and the most recent change is evident on a UPER kabukistage. All Kabuki actors are male so they have devised and improved their makeup, which has been playing a major role in the direction of Kabuki. Distinctive makeup, epitomized by umadori has been developed by actors according to the stage light shifts and form. This paper proposes methods to build-up Kabuki make-up archives. The main goals of the archives are to record, exhibit, and express the Kabuki make-up of the past, these goals will be achieved by exploring the proper techniques utilized. Data about Kabuki make-up, including cosmetics, materials and techniques, are collected in a historical perspective background, culture, manners and customs. Vital components to establish the archives of the Kabuki make-up are specified as well as the archiving methodology, face replicas and 3D CG selection. The archives of Kabuki make-up are made with consideration of data-exchange of both replicas and 3D CG. ————————————————- www.ainst.org

Got inspired wall silencing to a new song and started painting a slightly upset Santa. northpole santa’s workshop santaclaus christmas claus north pole santaclause santa’s secret email santa e mail santa letters from christmas letter ornaments ornament christmas tree christmas…

My current showreel.